L.A. Art Show 2010

The Fine Art Dealers Association’s 15th Annual Los Angeles Art Show may be nearly two decades old, but still has an edge.

“We weren’t allowed to set it on fire,” assistant director at Eli Klein Fine Art, Kim de Los Angeles, told me in reference to one of the show’s more inflammatory pieces- “Burning Man Obama,” by Chinese artist Liu Bolin. The piece by the number one most searched artist on artnet.com was recently featured on an ABC News segment. The artist intends the bronze, which emits non-destructive flames, as more of a playful nod to how “hot,” or popular, the U.S. President is, especially abroad.

The L.A. Art Machine (an online arts publication and organization) produced “Vox Humana,” a live action art performance in which street-influenced large-scale painters, drawing from both the history of the mural and the graffiti movement, covered several specially built walls inside the convention center during the course of the exhibition. Another of the curated project spaces exhibited a show within a show. “Signs: Contemporary Middle Eastern Art,” included pieces such as Ali Hassan’s “Noon 4,” which emphasized the formal beauty of Islamic font.


The global feel of the show was enhanced by the first time participation of a gallery from India, Arushi Arts. Their attendance was a welcome addition to the geographic panoply of exhibitors which spans from Africa to Europe to Latin and North America, with a heavy concentration of New York and LA galleries, as well as a strong presence from South Korea.

The London-based Rebecca Hossack Gallery had a good week. As I walked by I overheard a patron ask the gallerist, “Sell anything?” to which she cheerfully retorted, “Yes! Tons!”

And it did seem as if the pictures were flying off the walls.

Greenwich, Connecticut-based Abby Taylor represented another success. Expanding from her one showroom the previous year, to include a second showroom of sculpture, her space was set apart by the unique decision to install lush, lily white wall-to-wall carpet underfoot. During a brief conversation with Ms. Taylor, she expressed her conviction to last year’s move from the Barker Hangar in Santa Monica to the larger downtown Los Angeles space as “the right thing to do.”

In fact, with unusual heavy rains during exhibition week, the show would have been difficult to pull off in the previous location.

At Chinasquare New York, artist Alex Guofeng Cao combined iconic images of art and antiquity (such as the Mona Lisa) with contemporary pop culture icons (think Marilyn Monroe). Using a complex system of gray scaling miniature photos, like individual pixels, to create archival prints where the individual images of the former combine to form a composite figure of the latter, leading the viewer to meditate on the evolution of how images are disseminated, high versus low art, and the watering down of meaning in a visually over-saturated world.

However, if you aren’t overstimulated yet, there’s always the 2011 show, so mark your calendars for January 19, 2011. The 2011 show promises to be another exciting event, well worth the price of admission.