NewsBlaze is now an American company, and of course we are still news for Americans.
At NewsBlaze we strive to provide useful news and information, and the editors work hard to maintain high editorial standards. We proofread and edit every story for spelling, grammar, format and meaning.
If you see a problem, we’d love to hear about it, so we can make corrections. Send us an email or call us on the phone. If you phone, please check the difference between our timezones, because we might be sleeping when you’re awake.
You can also connect with us on Facebook, Twitter, LinkedIn and a few other social media sites.
While head office is Utah, most of our news is meant for U.S. readers, just as it was when we lived in Australia.
Publisher
Emeritus Founder, Publisher and Editor-in-Chief: Alan Gray
Phone: +61 8 8531 0254 – in Australia
Editors
Senior Editor: Judyth Piazza
Editor: Carmen Alasagas
Editor: Sally Ann Gray
Contact NewsBlaze
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Newsroom
Phone: +61 8 8531 0254 – in Australia
Writers and Journalists
NewsBlaze has active writers all over the world.
Contact: Editors
Phone: +61 8 8531 0254 – in Australia
Prairie Miller is a New York multimedia journalist online, in print and radio, who reviews movies and conducts in-depth interviews. She can also be heard on WBAI/Pacifica National Radio Network's Arts Express.
Now while we're on the subject of talent, why is Downey playing a Latino in a movie, when there are so many gifted unemployed Latino actors out there, especially during this current economic crisis.
Just in time for Mothers Day and none too soon, Vince Di Meglio's Smother is not exactly unequivocal accolades for the mom in your life, nor is it Mommy Dearest packing closet hangers.
This split personality excellent adventure for Zac and Matthew Perry, finds them as essentially the same guy sharing one body, but dividing up their before and after conflicted lifetime between adolescence and adulthood.
This real life, mysterious incident, which would have kept U.S. tabloids hyperactive for months, was preempted by the Japanese advance into a not quite unrelated but infinitely bloodier flirtation with militarism and World War II.
Noir meets newsroom mania in State Of Play, a thoroughly engrossing nailbiter, though the dark details that eventually come to light pale in comparison to massive narrative expectations preceding them.