NewsBlaze is now an American company, and of course we are still news for Americans.
At NewsBlaze we strive to provide useful news and information, and the editors work hard to maintain high editorial standards. We proofread and edit every story for spelling, grammar, format and meaning.
If you see a problem, we’d love to hear about it, so we can make corrections. Send us an email or call us on the phone. If you phone, please check the difference between our timezones, because we might be sleeping when you’re awake.
You can also connect with us on Facebook, Twitter, LinkedIn and a few other social media sites.
While head office is Utah, most of our news is meant for U.S. readers, just as it was when we lived in Australia.
Publisher
Emeritus Founder, Publisher and Editor-in-Chief: Alan Gray
Phone: +61 8 8531 0254 – in Australia
Editors
Senior Editor: Judyth Piazza
Editor: Carmen Alasagas
Editor: Sally Ann Gray
Contact NewsBlaze
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Newsroom
Phone: +61 8 8531 0254 – in Australia
Writers and Journalists
NewsBlaze has active writers all over the world.
Contact: Editors
Phone: +61 8 8531 0254 – in Australia
This is a children's film with a plot too complicated for many adults to understand and with so much explanatory dialogue it sometimes feels like a lecture. There's absolutely no humor for anyone and much is made of a picture of an engine, the li
Meanwhile, the lovesick lad is just as miserable at home, between being tormented mercilessly by his older brother, Rodrick (Devon Bostick), and being tattled on by his younger one, Manny (Connor Fielding). Compounding the problem is their meddling
The trouble is that he isn't quite ready to rise to his calling as a crook, for he soon becomes beguiled by Nora (Manie Malone), the red-headed, gun moll of a local mobster (Diplome Amekindra). And while he allows himself to be led around by the lo
And Chakarova explores the illusory phenomenon of the good john vs. bad john; trafficking that is as much about class as sex with their consumerist human commodification under capitalism; the camera as evidence of her existence; and why she could no
The film's frenetic action consists of wave after wave of mindless mayhem intermittently interrupted by sentimental reminders that God is on our side and by simplistic sloganeering such as 'Marines don't quit!' and 'Let's go show 'em how Mari