NewsBlaze is now an American company, and of course we are still news for Americans.
At NewsBlaze we strive to provide useful news and information, and the editors work hard to maintain high editorial standards. We proofread and edit every story for spelling, grammar, format and meaning.
If you see a problem, we’d love to hear about it, so we can make corrections. Send us an email or call us on the phone. If you phone, please check the difference between our timezones, because we might be sleeping when you’re awake.
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While head office is Utah, most of our news is meant for U.S. readers, just as it was when we lived in Australia.
Publisher
Emeritus Founder, Publisher and Editor-in-Chief: Alan Gray
Phone: +61 8 8531 0254 – in Australia
Editors
Senior Editor: Judyth Piazza
Editor: Carmen Alasagas
Editor: Sally Ann Gray
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Phone: +61 8 8531 0254 – in Australia
Writers and Journalists
NewsBlaze has active writers all over the world.
Contact: Editors
Phone: +61 8 8531 0254 – in Australia
Prairie Miller is a New York multimedia journalist online, in print and radio, who reviews movies and conducts in-depth interviews. She can also be heard on WBAI/Pacifica National Radio Network's Arts Express.
Guerrilla filmmaking meets guerrilla warfare, as the director of the coal miner labor classic, Matewan and Brother From Another Planet delves into his latest politically conscious feature Amigo, uncovering the buried history of the 1900 US invasion
A scathing update of the Thousand And One Nights classic rendering of a queen's bid to remain alive through unique female survival instincts linked to the gift of gab, Scheherazade, Tell Me a Story plays out in contemporary Cairo, as talk show host
The Seattle Times theater critic also uncovers during this exchange, the modern origins of the concept of the teenager in US society, and the birth of adolescent culture as reflected in West Side Story.
Arts Express unravels these and other matters surrounding sex trade UN culpability and coverups, with Whistleblower star Rachel Weisz and filmmaker Kondracki, who shares this memo with us.
The Help, with its fragmented and anecdotal flow, is an uneven mix of humor and terror in never quite encapsulating the turbulent period. And always with a lingering sense of Skeeter's - or rather Stockett's motives - being as much about her own p