Prairie Miller

Alternating with episodes behind palace closed doors of Wallis' social butterfly martini mixer maven privately peeved when not regretful, are scenes playing out in 1998 New York City,

And director Jason Reitman, who excelled at sharply honed wit in shaping movies like Juno and Up In The Air, appears as indecisive and dramatically when not comedically adrift here, as his impulsively out of touch female protagonist.

Which leads to the task at hand that is not so much a deciphering of interlocking narrative details, but rather where does one begin.

Hear filmmaker Kim Longinotto track the birth of a women's revolutionary movement in rural India.

Touching on the politics and the economics of the media; on location war junkies, why journalism has become a dirty word; Chris Hedges in post-traumatic war zone meltdown and the twisted cosmic joke of it all; sexing up the news; and what Clockwork