Daily News header

Argo Film Review

By     get stories by email

Espionage Thriller Recounts Diplomats' Daring Escape from Iran

On November 4, 1979, Iranian militants stormed the walls of the U.S. Embassy in Teheran, taking 52 Americans hostage with hopes of exchanging them for the recently-deposed Shah. What ensued was a 444-day ordeal which would last long after the despised despot died in exile without standing trial.

While that drawn-out standoff continued to occupy the world's attention as front-page news, almost no one knew that a half-dozen Americans had managed to steal away unnoticed during the assault and taken refuge in the home of the Canadian Ambassador, Ken Taylor (Victor Garber). And the discovery of their whereabouts by the rabidly anti-Western, Khomeini regime would have undoubtedly triggered another international incident.

argo
Photo: Wikimedia Commons

So, they surreptitiously contacted the CIA which assigned their rescue to Tony Mendez (Ben Affleck), an exfiltration specialist with a perfect record of freeing captives from such perilous predicaments. Agent Mendez proceeded to hatch an attention-grabbing scheme that was the antithesis of the sort of clandestine operation one might expect of a spy.

His high-profile plan involved creating a cover for the stranded diplomats by making a movie that was actually nothing more than a CIA front. First, he enlisted the assistance of a veteran Hollywood executive (Alan Arkin) and an Oscar-winner (John Goodman) sworn to secrecy, to lend an air of authenticity to the ruse by posing as the picture's producer and makeup artist, respectively.

Figuring, "If you want to spread a lie, get the press to sell it for you," they launched the project at an elaborate press conference attended by actors in gaudy costumes. The media fell for it hook, line and sinker, and soon Tinseltown was abuzz about Argo, an upcoming sci-fi set to be shot on location in Iran. Truth be told, Mendez would be the only person venturing on the dangerous mission to Teheran where the film's tone shifts from flip and lighthearted to stone cold sober. Upon arriving at the ambassador's house, the hero hands the six Americans newly-prepared passports with fresh identities as members of a Canadian film crew.

The tension rapidly ratchets-up in intensity as the ever-vigilant Iranian authorities close-in just as the diplomats make their escape to the airport where the slightest slip during an interrogation could mean the difference between life and death. An edge-of-your-seat thriller not to be forgotten at Oscar time!

Excellent (4 stars)

Rated R for profanity and violent images.

Running time: 120 minutes

Distributor: Warner Brothers

To see a trailer for Argo:

Kam Williams is a syndicated film and book critic who writes for 100+ publications. He is a member of the New York Film Critics Online, the African-American Film Critics Association, and the NAACP Image Awards Nominating Committee. Contact him through NewsBlaze. Read more reviews by Kam Williams.

  Please click this get stories by email button to be notified about future stories, and please leave a comment below.

  Please leave a comment here     If it does not display within 10 seconds, please refresh the page

Related Movie Reviews News

Some cities lost points for strong negative indicators for African American literacy as reflected on reports like, The Schott 50 State Report on Public Education and Black Males 2010.
Gugu Mbatha-Raw, the emerging star compares her Belle role to her new role in Beyond the Lights, where she plays Noni, a pop star who falls for her hunky, supportive bodyguard.
Directed by Pat O'Connor (Sweet November), the screen version is an intriguing romance drama which takes a sharp turn about midway through when Tommo and Charlie enlist in the army and ship off to serve their country in Flanders' fields.
Before the month of October ends, here are the must-see movies to give viewers thrills and chills on the Halloween weekends.
Kam Williams interviews Haley Joel Osment, who played Cole, in The Sixth Sense, as the boy with the iconic line, I see dead people. Now in Sex Ed.
Seemingly a satire in some ways, of Keaton's ambivalent transformation into Tim Burton's Batman a quarter of a century ago, Birdman appears to be Keaton's venture into unprecedented extreme acting.

 

NewsBlaze Writers Of The Month



Popular Stories This Month

newsletter logo

NewsBlaze
Copyright © 2004-2014 NewsBlaze Pty. Ltd.
Use of this website is subject to our Terms of Service and Privacy Policy  | DMCA Notice               Press Room   |    Visit NewsBlaze Mobile Site