Daily News header

Five Star Day Movie Review

By     get stories by email

With the very first young generation since WWII predicted not to do better economically in life than their parents, and facing in many cases unemployment and enormous college debt, expect movies by young filmmakers to follow suit. And the advent of ironically titled movies like Five Star Day about, well, predictions. Or in this case, a profound youthful cynicism about prophesy.

Cam Gigandet, moving on from his nasty vampire stint in Twilight and more recently hitting on a repelled Nicole Kidman in Trespass, is Jake Gibson in Five Star Day. A Los Angeles techie, moonlighting college student and astrology fanatic, Gibson is certain that his encouraging horoscope and hopeful alignment of the stars, has sealed a promising future for him.

But in rapid succession, Gibson is laid off with only a two weeks severance deal when his company downsizes, catches his live-in girlfriend having sex with somebody else in their kitchen, and has his car stolen before his eyes. Deeply disenchanted by now with astrology but determined to prove the uselessness of predictability in a somewhat scientific fashion, Gibson proposes his inquiry as a class project to his rather skeptical professor (Nick Chinlund).

And which the decidedly pessimistic but still inquisitive student plans as a cross-country quest in search of three people born in his same Chicago hospital the very same day. This, in order to confirm his thesis that their disparate fates despite the same horoscope, will definitively prove that prophesy is an illusion, and horoscopes suck.

Too bad that the premise of Five Star Day is substantially more involving than the payoff. Which in large part and in contrast to its negative feelings about astrology, tends toward, well, predictability. Especially when all three people pursued by Gibson are discovered to share a deep funk contradicting their identical horoscopes. Chicago drug counselor Yvette (Brooklyn Sudano) barely gets enough screen time to flesh out her story. And Atlantic City bottom feeder lounge singer Wesley (Max Hartman) is just too old to play the same age as Gigandet, looking more like the dejected dude's father.

And when Gibson pursues his most uncooperative human subject Sarah (Jenna Malone) - a struggling single mother initially freaked out that he may be a stalker - you already know where this accidental encounter is headed, whether the stars are aligned or not. A narrative path in this debut feature of writer/director Danny Buday, which tends to confuse the concept of fate with contrivance.

Five Star Day, essentially a two star movie, nevertheless feels heartfelt and emotionally genuine, with cast performances coming off as raw and real. The problem lies in the situations within which their personalities are led to unravel, lives that seem more like they've been imagined than drawn from the limited experiences of this young filmmaker.

Breaking Glass Pictures
Unrated
2 stars

Prairie Miller is a NY multimedia journalist online, in print and on radio, and on WBAI/Pacifica National Radio Network's Arts Express. Read more reviews by Prairie Miller. Contact her through NewsBlaze.

  Please click this get stories by email button to be notified about future stories, and please leave a comment below.

  Please leave a comment here     If it does not display within 10 seconds, please refresh the page

Related Movie Reviews News

Chef, author, world traveler Anthony Bourdain is an outspoken trailblazer with unique insights talks about his life, career and Peabody and Emmy-winning TV-series, Parts Unknown.
Kam Williams interviews Gina the Dreamer about Beyond the Lights, a romance drama co-starring Gugu Mbata-Raw and Nate Parker.
Marion Cotillard, who is no stranger to tackling complex characters and complicated women in movies, most notably as Edith Piaf in La Vie En Rose, plays Sandra in Two Days, One Night. An emotionally vulnerable blue collar worker in a plant determine
Stevie Nicks, older and ever bolder turned heads with Stevie's back-to-the-future, pre-technoid selfies at an opening exhibition in the Morrison Hotel Gallery, Manhattan.
Michael Pena, who first appeared in 'To Sir, with Love' and 'End of Watch' director David Ayer talk to Kam Williams about reuniting to collaborate on Fury.
Rosamund Pike stopped by the NY Film Festival where Gone Girl premiered, to weigh in on assorted relevant topics, with Prairie Miller.

 

NewsBlaze Writers Of The Month



Popular Stories This Month

newsletter logo

NewsBlaze
Copyright © 2004-2014 NewsBlaze Pty. Ltd.
Use of this website is subject to our Terms of Service and Privacy Policy  | DMCA Notice               Press Room   |    Visit NewsBlaze Mobile Site