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Night At The Museum: Battle of the Smithsonian Movie Review

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While the economy tanks and workers are getting dumped and downsized, Ben Stiller gets upgraded in Canadian director Shawn Levy's Night At The Museum sequel: Battle of The Smithsonian. No longer the minimum wage museum security guard drudge Larry Daly making ends meet on the nightshift at NYC's Museum Of Natural History, Daley has turned creatively minded gadget inventor. The same cannot be said of Levy's inventive inclinations in this movie.

It seems that Stiller's still basically stuck in the first movie, in night of the living displays mode, with little that's different or amazing to impress audiences beyond some additional hi-tech wizardry. This, while primarily substituting jokes and punchlines for storytelling and characters you feel prodded to chase around the museum, when you may still be feeling exhausted from last week's underground endless jaunt, through the cavernous crypts of Vatican City in Angels & Demons. Since when did road movies relocate indoors?

Night At The Museum

In what passes for a fairly lame pretext to sequelize the original, Daley heads off to the Smithsonian Institute in DC a few years later, where those museum exhibits have been sent for storage. And they appear to be in need of a bit of rescuing from the likes of Pharoah Kah Mun Rah (Hank Azaria). The Egyptian rabble rouses has got some intimidating accomplices too, including Ivan The Terrible and Al Capone.

Expect as well deja vu mug slapping monkeys, ho-hum return engagements of Owen Wilson's miniature cowboy Jedediah Smith and Steve Coogan's likewise vertically challenged Roman Octavius, a dumbed down, head in the clouds Amelia Earhart (Amy Adams), and what seem like legions of bratty toys on steroids. Though some occasional damage control is provided by a few inspired moments. Like Daley doing a home invasion diving into the American Gothic canvas art treasure on exhibit, to swipe that pitchfork from those perpetually sour lovebirds as a defensive weapon against assorted historical menaces. Or dodging danger by instant hide and seek photo shopping Alfred Eisenstaedt's famed V-J Day kissing couple crowd shot in Times Square.

Night At The Museum Battle of the Smithsonian: I See Dead Props, along with a story that could have used some pick me up too. And with artifacts gone wild, as the museum cross-pollinates with Toys R Us.

20th Century Fox
Rated PG-13
2 stars

Prairie Miller is a multimedia journalist online, in print and on radio. Contact her through NewsBlaze.

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