Published: September 28, 2008
NEWSWEEK: Media Lead Sheet/October 6, 2008 Issue (on newsstands Monday, September 29, 2008)
COVER: MR. COOL VS. MR. HOT-HOW THEY SEE THE WORLD (p. 28). Senior Editor
Michael Hirsh reports that to fully understand John McCain's and Barack
Obama's world views -- and thus how they might confront a crisis as yet
unimagined -- one needs to look more closely at the places, people and ideas
that have shaped each of them since 1968. Hirsh lists five factors that have
been critical to shaping both McCain's and Obama's world views. Each took
trips toAsia that impacted how they saw governments can impact a war if
politics get in the way. They both had maverick mentors. For McCain, it was
Democratic senator Henry (Scoop) Jackson, one of the leading lights of the
neoconservative movement. For Obama, it's Richard Lugar, a pragmatist and
internationalist with far-reaching vision, who focused on core national
security issues like nuclear non-proliferation. They've both been influenced
by predecessors: for McCain, it was Teddy Roosevelt. For Obama, he invokes
FDR andLincoln, but has sought to identify himself with JFK's foreign policy.
And for both, September 11 signaled the start of another grand struggle.
http://www.newsweek.com/id/161323
(Photo: http://www.newscom.com/cgi-bin/prnh/20080928/NYSU002 )
JONATHAN ALTER: "Time To Channel Cousin Frank" (p. 37). Senior Editor and
Columnist Jonathan Alter writes that John McCain's answer to the charge that
he's impulsive is that critics said the same thing about Teddy Roosevelt, and
look how he turned out. "But Teddy was just the tonic America thirsted for at
the time. Unfortunately for McCain, a financial crisis requires something that
goes down more smoothly. That would be Cousin Frank. It may be that McCain has
been using the wrong Roosevelt as his role model. FDR was dramatic and
improvisational, but the effect was calming."
http://www.newsweek.com/id/161215
A LETTER TO MY GENERATION: "Ask Not What You Can Do for Barack Obama, Ask
What Barack Obama Can Do For You" (p. 38). Senior Writer and Political
Correspondent Jonathan Darman writes an open letter to "Young Americans" of
his generation, telling them that yes, they'd turned Barack Obama's rallies
into cultural events, his candidacy into a movement. But "really, if we're
honest, that's all you've done this year-show up." Darman writes that for all
"your earnestness and self-congratulation, you haven't done enough ... You,
his young supporters, have done little to ensure he'll be the kind of
transformative leader you long for. Your biggest failure: you've hardly asked
Obama for a thing."
http://www.newsweek.com/id/161210
POLITICS: "What If Obama Loses?" (p. 40). National Correspondent Allison
Samuels reports on the guarded optimism in the African-American community
about Barack Obama winning the presidency. In the beginning, there was
disbelief that a black man could become president. Now that he's the nominee,
he's soared in the polls and the race is tight, there is optimism but it's
tempered by two words: what if. What if Obama loses? How should people
respond? What should they feel? It's a common election-season concern, but
it's all the more acute in the African-American community, where more people
are paying attention -- and planning to vote -- than ever.
http://www.newsweek.com/id/161214
INTERVIEW: Afghan President Hamid Karzai. (p. 44). Special Diplomatic
Correspondent Lally Weymouth talks to Hamid Karzai, who says that the Taliban
are not strengthening, but "we are not doing things that we should be doing.
Such as, we did not pay attention in time to the sanctuaries of the Taliban."
He says the international community should have done all that was needed to be
done -- "political and diplomatic, the right concentration of both ... They
should have used and kept open all options in order to bring security to
Afghanistan."
http://www.newsweek.com/id/161205
Georgian President Mikheil Saakashvili. Saakashvili tellsWeymouth that he
does not think he miscalculated last summer when he fired on Russian troops in
South Ossetia. "I think since last November the attack was in the making by
the Russians. That's when they started the real military buildup. We warned
Europe and the West that a Russian attack was foreseeable sometime in early
fall."
http://www.newsweek.com/id/161206
ECONOMY: "The Monster That Ate Wall Street" (p. 46). Assistant Editor
Matthew Philips explains the role that "credit default swaps" have had in the
economic crisis. Some JPMorgan bankers developed a sort of insurance policy
that banks could take out against loans they had given: a third-party would
assume the risk of that debt going bad, and in exchange would receive regular
payments from the banks, similar to insurance premiums. But what those
bankers didn't realize in the mid-'90s is the monster they created. The
world's biggest insurance company AIG, had to be bailed out by American
taxpayers after it defaulted on $14 billion worth of credit default swaps it
had made to investment banks, insurance companies and scores of other
entities.
http://www.newsweek.com/id/161199
PROJECT GREEN: "Saving the World for a Latte" (p. 48). Midwest Bureau
Chief Keith Naughton and National Correspondent Daniel McGinn report on the
growth of recycling companies that reward people for recycling, sort of like a
frequent flyer program for recyclers. RecycleBank, a four-year-old green-tech
startup out ofNew York, does just that. And the result has been soaring
recycling rates in the East Coast markets where the company has rolled out.
http://www.newsweek.com/id/161230
ARCHITECTURE: "Love the New Skin You're In" (p. 60). Contributing Editor
Cathleen McGuigan reports on the new Museum of Arts and Design building that
opened in a newly refurbished building inNew York last week, a Cinderella
ending to a big-fisted civic brawl. A battalion of preservations had fought-
and filed lawsuits, later dismissed-the idea of changing the original 1964
structure by Edward Durell Stone, who also designed the Kennedy Center in
Washington and the U.S. embassies inLondon andNew Delhi. Built as an art
museum for the A&P heir Huntington Hartford, the building curved around
Columbus Circle on a cramped site; it had no windows except for little
portholes cut into the corners of its 10-story white marble facade; it sat on
slender columns, each topped with a disc of dark marble, which earned it the
name the "lollipop" building.
http://www.newsweek.com/id/161200
Read the issue and Web exclusives at www.Newsweek.com
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